It's important to be mindful of other player's expectations of where the story is going, and to either fulfill or challenge them in a way that keeps everyone excited about the game proceedings. A statement as simple as "this next scene is with Igor working in the mad scientist's lab" establishes a lot of facts: Igor is alive (if that was in question), Igor is in a certain place that might not be where someone else authoring the story would have put him, et cetera.
#The shab al hiri roach full#
Some games give you full latitude to jump forwards in time, or backwards for a flashback scene. The authority to frame a scene gives you a lot of power over the story. When the scene is played out in full, and the next player gets to frame a scene.
#The shab al hiri roach tv#
For instance, Primetime Adventures, which is meant to simulate a TV show and so borrows a lot of TV's structure, has one player say what the next scene will be about (in terms of whether it's a plot-driven scene or a character-driven scene), where it will take place, and what's happening when the scene starts. Traditionally The GM gets to do this, but some games use formal processes which hand over some of this authority to the players. Who gets to frame the scenes and decide what's interesting or not is an important issue to consider. Also, crucially, that the scene is going to be about combat above any other kind of conflict. He probably won't explicitly state it, but the GM presenting the bandits in the above example is implying several things: that the location is a rugged mountain pass, that the only people present are the bandits and the player's character's, and that the bandit's are desperate enough to get the character's wealth they're willing to risk death in combat. More sophisticated scene framing involves mapping out the particulars of a scene, such as what the location is like, who is present and what's at stake for everyone there. A GM dismissing several days of game time with just the phrase, "the journey over the mountains is long and difficult," but then shifting into round-by-round combat resolution when bandits attack is rudimentary scene framing. At its most basic, Scene Framing means focusing play on only the interesting events within the narrative of the game, deciding what occurrences are too mundane to waste time describing and which entail enough conflict to play out in detail.
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